Different parts of a tree include:
1. Roots: The underground part of the tree that anchors it in the soil and absorbs water and nutrients.
2. Trunk: The main stem of the tree that provides support and carries water and nutrients between the roots and the leaves.
3. Branches: The woody extensions of the trunk that grow outwards and support the leaves, flowers, and fruits.
4. Leaves: The flat, green structures attached to the branches that carry out photosynthesis, producing food for the tree.
5. Bark: The protective outer covering of the trunk and branches that helps prevent water loss and protects against pests and diseases.
6. Twigs: The small, thin branches that grow from the larger branches and hold the leaves.
7. Buds: Small, undeveloped growths on the branches that contain the potential for new leaves, flowers, or shoots.
8. Flowers: The reproductive structures of the tree that produce pollen and attract pollinators for fertilization.
9. Fruits: The mature ovaries of the tree that contain seeds and are often consumed by animals, aiding in seed dispersal.
10. Seeds: The reproductive units of the tree that contain the embryo and are capable of developing into new trees.
These are some of the main parts of a tree, but there may be additional specialized structures depending on the species of tree.
In Bassa, the parts of a tree can be described as follows:
1. Nɛ̀ɛ̀nɛ̀: Roots
2. Dyù: Trunk
3. Cu: Branches
4. Dyé: Leaves
5. Ɓɔ̀ɔ̌: Bark
6. Dyèɖè: Twigs
7. Dyé-ɓó: Buds
8. Dyé-dyùa: Flowers
9. Dyé-ɖɛ̀: Fruits
10. Dyoɔ: Seeds
These terms in Bassa represent the different parts of a tree.
Bassa Parts of a Tree Masktape™
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Before diving into those intricate details, start by focusing on the overall shape of your wood mask. Use larger gouges to carve out the basic curves of the face – the rise of the cheekbones, the slope of the nose, the hollow of the eyes.
Think of it like sculpting with clay – you’re establishing the main features first. Pay attention to symmetry and proportions. Remember, wood is forgiving! You can always remove more, but adding it back is tricky.
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The knowledge is not set down explicitly in books but is embodied in the מסכה itself. In essence מסכה is in a nature of a divine rite meant to instill in the beholder an understanding of creation and creative power. The face of the מסכה is that of Ancestral Man and Woman. Man before slavery and the perfected man/ woman. One who has regained his cosmic consciousness through his or her own method…
Celestial Mask Intelligence @Tekpwfari Stix El Ra
Sources:
Cissé, Youssouf. “Sogo Sigi: Une esthétique des masques Dogon.” (2008).
Griaule, Marcel. “Conversations with Ogotemmeli: An Introduction to Dogon Religious Ideas.” (1965).
Davis, Stephen. “Reggae Bloodlines: In Search of the Music and Culture.” (1978). Chapter 8: “Burning Spear: The Fire Still Burns.”
The legal system in the Republic of Liberia is a dual one, combining elements of both statutory law and customary law:
Statutory Law: The modern sector of Liberia’s legal system is based on Anglo-American Common Law. This system relies on written statutes and legal precedents established by court decisions. It governs various aspects of contemporary legal matters.
Customary Law: For the indigenous people of Liberia, customary law plays a significant role. It is based on unwritten customary practices that have been passed down through generations. Customary law encompasses traditional norms, rituals, and community practices.
Notably, Liberia’s legal framework also includes provisions related to intellectual property and the protection of traditional cultural expressions within its Constitution.
Liberia has adopted two Constitutions since its foundation. The first was the 1847 Constitution which was suspended on April 12, 1980, following the coup d’etat which overthrew the presidency of H. E. William R. Tolbert, Jr.
The second Constitution replaced the Liberia constitution of 1847 which was approved and adopted by a National Referendum on July 3, 1984.
As the fundamental law of the Republic of Liberia, the Constitution defines the structure of the Government of Liberia, the rights and duties of the country’s citizens, its mode of passing laws and specifies the principle of separation and balance of the legislative, executive and judicial powers.
The legislative power is vested in the Legislature, which consists of two separate houses: the Senate and the House of Representatives (Art. 29).
The executive power is vested in the President, who is the Head of State, Head of Government and Commander–in–Chief of the Armed Forces of Liberia (Art. 50).
The judicial power is vested in a Supreme Court and subordinated courts (Art. 65).
The Constitution contains provisions concerning intellectual property on the protection of traditional cultural expressions. It protects the right to preserve foster and maintain the positive Liberian culture, values and character (Art. 27. b.).
The Constitution also guarantees the freedom of expression (Art 15. b), the right of private property (Art. 22. a) which can be extended to the intellectual property rights.
Gúlá Má Sálè
Gúlá Má Sálè
Follow this Masktape as it delves into development with the Camarilla Mask™ curator Tékpwfárí Stix El Rá. Consider the changes happening internationally as well as within the Afrotropical region concerning West African Mask most expecially from Liberia and Sierra Leone, respectively.
Research Materials provided by the
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Tim Butcher Podcast
University of Liberia.
Encyclopedia of the 16 Tribes®
“The consumption of masktapes embodies an organic essence, akin to the fermenting nature of yeast within the cognitive realm. There exist certain notions that surpass mere conceptualization; these ideas, I sense, embody a vitality, akin to the spirits of our ancestors. The intent behind these masktapes transcends the mere accumulation of information, aiming instead to transform the very fabric of the mind, rendering it receptive to the profound influences of our ancestral lineage.” Tékpwfárí Stix El Rá
Visit Star and Shield Clothing Masktape page for a full collection of masktapes including our latest release the Grebo Masktape Vol. 1.
“Yei dà bɛ̀ ka dà, nyaa me!”
(Translation: “In the bush, money is hidden, not lost.”)
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